Three strange landscapes (2008) 
for female choir and orchestra 
(Picc. - 2 Fl. - 2 Ob. [II Cor.I.] - 2 Cl. - Cl.b. - 2 Fg. - 4 Cr. - 2 Tr. - 2 Trb. - B.Tuba - Arpa - 4 Timp. - Perc. [Vibr. - Mar.bass. - Crot. - Glk. - T.T. - 2 G. - Triang. - Pt. - 2 Floor Tom - Rull. - Tamb. - G.C.] - Archi) 
on texts by E. A. Poe

- The Conqueror Worm
- The City in the Sea
- The Haunted Palace 

Each word is indentivica or find its roots in a symbol, which is governed by the number. In turn the number, for its strong power symbolic, it must be to influence and to enrich the affection musical, offering to the music the key to reading and to the word its true meaning. 

Asaka-Reimei High School Choir & Orchestra
Eiichi Hoshi, conductor
Performance 27 July 2008

Spot (2006) for female choir, 2 soli, piano and actress 
The associations of events and situations on texts that go from Euripide (Baccanti), Shakespeare (Macbeth-Amleto), Boito (Mefistofele), Carroll (Alice in Wonderland) … singing medieval, Requiem, to the real conversations of a group witches of 1600... until the minimum communication of comics.

Musical Flashes where the hold is united to modern, where every time you get tap the limit between confusion and order, where the time of the assimilation of the musical events are minimised.

"... when a language of communication television shall enter into contact with the musical theatre..."


Asaka-Reimei High School Choir
Eiichi Hoshi, conductor
Performance 31 July 2006

Fantasia, corale e fuga (2005)
A tribute to the past that, while maintaining a balance contact with the philosophy of Polyphony ancient, turns into an experience current through the new expressive means contemporaries. All Supported the freshness of the texts of Plautus taken from three prologhi of three different comedies (Menecmi, Casina e Aulularia).

Asaka-Reimei High School Choir
Eiichi Hoshi, conductor
Performance 31 July 2005